Elgar | String Quartet in E minor |
John Hawkins | Fuzon |
Beethoven | String Quartet in F Op 59 No. 1 |
The 59th Concert Season opened on 28th October with a vivid masterclass in rhythmic and
dynamic variety given by the Piatti String Quartet. From the very opening bars of Elgar’s only
String Quartet it was clear that we were enjoying a very special evening of music making.
The beautiful soft sounds created by Michael, Rebecca, Tetsuumi and Jessie contrasted with
the frenetic writing so full of echoes of the much better-known Cello Concerto. Elgar’s
sound world, reflecting uncertain times as World War One drew to a close, was captured
eloquently by the Quartet. The rapt attention of the audience throughout the performance showed how successfully the quartet had drawn us all into the music.
The Quartet revelled in the rhythmic drive and complexities of John Hawkins’ ‘Fuzon’
inspired by William Blake’s nightmarish visions. Having given the first performance of the
work in 2012 and played it many times since, their familiarity with the single movement
conjured up for us a convincing sound world.
Before playing the final piece in the programme, Beethoven’s String Quartet in F Opus 59
No.1, the first of the famed Razumovsky Quartets, Michael reminded us all how Beethoven
changed the course of quartet writing with this work. Symphonic in length and in
imagination, the players revelled in the sonorities, the tunes and the sheer inventiveness.
The breadth of the tonal and dynamic contrasts was bold and engaging, and the
conversational interplay between the instruments was gripping.
I enjoyed the light touch and rhythmic drive throughout the Scherzando second movement
which created a dramatic contrast with the beautiful playing of the slow movement that followed. The warm sound and simple vibrato, particularly of Jessie’s cello playing, was very expressive. A beautifully played violin melodic melisma reminiscent of the Violin Concerto
led us all to the final movement in which Beethoven’s fertile imagination conjured magic
with the Russian Theme. The dramatic coda created a spontaneous cry of 'Bravo' from the encouragingly sizeable audience.
Reviewer: Nicolas Chisholm
Photographer: David James